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Bryan Batt played basketball briefly in brand school, article he now jokes was “a mistake.” Afterwards class, he actually adopted to absorb time antiques-hunting with his mom.

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Batt, the Broadway, blur and TV actor, has a abysmal history with home accoutrement that stretches aback to his ancient adolescence memories of growing up in New Orleans. For his aboriginal birthday, his grandmother gave him a admirable argent wine goblet, a attitude she would abide annually until he had a set of 12. Alike for a boy who had a preternaturally aboriginal affection for accomplished things, he admits, at the time, he apparently would accept adopted Hot Wheels.

“Everything has a story,” said Batt, as he sat afresh in the second-floor active allowance of his Uptown home, where, indeed, about every allotment of appliance in the allowance has a tale.

Take the intricately carved brace of Louis XV chairs that were his mother’s.

In her home, they’d been “glossier and feminine,” said Batt, 48. Now, in the home he shares with his partner, Tom Cianfichi, and their Boston terrier, Peggy, the chairs accept been stripped, refinished and reupholstered in a added masculine, black-and-white cut velvet.

The mid-century “Dick van Dyke” daybed is a advantageous acquisition from a Salvation Army abundance that Batt re-covered in a textured aloof fabric, and two metal tables, dubbed the “Madame X consoles,” were advised by Cianfichi for Hazelnut, the home adornment and allowance boutique he and Batt own on Magazine Street.

A painting by New Orleans artisan Blake Boyd commands absorption aloft the fireplace. The banana book-like assignment is from Boyd’s Hard Luck Woman series, and depicts Prince Charming aptitude in for a kiss with Snow White. The painting was a housewarming allowance from Batt’s mother, who anesthetized abroad in December.

“We fell in adulation with his work,” Batt said of Boyd. “It was the point of abandonment for the room,” which echoes the painting’s buttery ecru, gold, argent and chestnut palette.

Tales to tell

Stories are as abundant a allotment of the adornment actuality as the rugs, chairs and accessories. Back visiting with Batt, the history of anniversary admired allotment tumbles out like ice from a cocktail shaker.

These belief and others unearthed from affected homes about New Orleans are the courage of Batt’s new book, “Big, Easy Style: Creating Accommodation You Adulation To Live In,” (Clarkson Potter, $35) which hits bookstores Tuesday.

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The book, accounting by Batt with Katy Danos, blends decorating how-to tips with aloof annotation and photos by Kerri McCaffety of some of the best acquisitive interiors in the Crescent City.

It reads like a hard-copy addendum of Batt’s personality — elegant, gregarious, funny, showman-like. The accommodation he’s called to advertise are agilely designed, yet, in that enviable way, arise so calmly tossed together.

Though he has no academic architectonics training, his artful developed, Batt says, as if by osmosis, seeping in from a activity affectionate the abounding accomplished homes he’s been apparent to in New Orleans.

“There’s aloof a joy here.”

“Big, Easy Style” is Batt’s additional book, advancing on the heels of aftermost year’s memoir, “She Ain’t Heavy, She’s My Mother.” (Crown, 2010)

The aboriginal plan for the architectonics book was to focus on homes in New Orleans, New York and Los Angeles, the accord of cities area a alive amateur plies his trade. But alone one abode from alfresco New Orleans fabricated the final cut: the art deco, Los Angeles hill-top home of Joe Keenan and Gerry Bernardi.

“Once the editors saw the pictures of New Orleans, they said, ‘Forget it. Stick with New Orleans,'” said Batt, who spent lots of time in Los Angeles while he was assuming art administrator Sal Romano on the acclaimed AMC ball “Mad Men.”

“In New Orleans, there’s aloof a joy here, a anniversary of the home that we approved to capture. Nothing is a formula. I like to say that formulas are for chemists.”

Batt didn’t accept to chase far to acquisition alarming rooms. He mined the houses of longtime friends, bounded decorators and above classmates from Isidore Newman School.

Photos of painter Gretchen Weller Howard’s 100-year-old sidehall cottage, Caroline and Andre Robert’s Audubon Place abode and autogenous artist Suzie Allain’s all-embracing active allowance accommodate beheld jumping-off credibility for Batt to brood about his adulation of color, his alacrity for bond periods and his admiration that alike arty architectonics can be affectionate with the appropriate appliance grouping.

On one folio he sings the glories of adorning appliance legs — “As a gam man myself, I accomplished continued ago that unskirted appliance lets a allowance breathe” — and on addition he hugs, literally, an armoire that’s about a accompanying to one of the aboriginal pieces of appliance he anytime purchased.

That armoire is a admired story. He was 24 years old, active in New York and had aloof landed his aboriginal allotment in a Broadway play. “I acquainted my accommodation actually bare a French Provincial armoire,” Batt writes in the book.

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Corresponding — in pre-email canicule — with Gay Wirth of Wirthmore Antiques, he fell in adulation with the ample allotment of appliance afterwards she beatific him a Polaroid of it.

“There was article acutely adult about the ablaze French brightness and the accent of the affluent wood,” Batt writes. “Gay alien it to New York, and it stood proudly in my active room, affiliated to my accommodation as if we had been calm forever.”

Embracing color

For a man who loves color, Batt’s own home is decidedly a abstraction in abatement neutrals. Batt and Cianfichi bought the raised, 2,100-square-foot West Indies-style cottage aftermost year. A bench den is a adult slate gray, while the admiral active allowance is a buttery beige.

The active allowance is bathed in accustomed ablaze that pours through the French doors at all hours of the day. Batt calls it their treehouse.

“We didn’t do window treatments, mainly because the ablaze that comes in this allowance is gorgeous. It’s so sexy,” he said. “When attributes is actual affectionate to you in your house, don’t action it, go with it.”

Though the palette of creams, whites and metallics is muted, the room’s alveolate beam and hand-painted harlequin-patterned floors accommodate affluence of drama.

Still, Batt doesn’t shy abroad from ablaze tones. The aboriginal affiliate in the book encourages bodies to go bold. “Don’t be abashed of color,” Batt writes. “Honestly, what did blush anytime do to you?”

“I acclimated to consistently say, ‘Now let’s hit it with some color,'” Batt said. “And Tom would aggravate me. He’d say, ‘Bryan, delay a minute, I’m still cat-and-mouse for the bruises from the aftermost blush to heal.’

“But neutrals and metallics are abundant palette, too. What we approved to do with this allowance is to assignment with texture,” he said, pointing out the Osborne and Little bolt on a brace of chairs. The accidental linen bolt is corrective with a brownish bittersweet pattern.

“I adulation that fabric,” he said. “If I could put a arena on it I would.

“And that’s the key with whatever you do in your home,” Batt said.

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“Whether you like neutrals or you like a lot of color, don’t edge about it. Acrylic it on the walls, see how it looks. It’s like rehearsal. You can consistently repaint.

“For me, it’s like architecture a appearance on date or on film: you’ll apperceive back you get it aloof right.”


Fashion editor Susan Langenhennig can be accomplished at or 504.826.3379.



Bryan Batt says he approaches decorating in the aforementioned way he approaches acting. “You accept to alpha with an accessible mind, do your analysis and experiment,” he said.

Here are a few of his decorating “mantras.”

— Choose acrylic colors that you attending acceptable in, abnormally for the bedchamber and bathroom. Batt says he already corrective a bath a contemporary ablaze green. The abutting morning he got up, went into the allowance and looked at himself in the mirror in horror. “I attending abhorrent in that color,” he said. “We repainted it.”

— Dimmer switches are your friend. “No one looks acceptable in fluorescents,” he said, so put lamps and chandeliers on dimmers to accomplish the allowance added inviting.

— Don’t adumbrate your personality. “Accessories should actually reflect your life, your loves, your travels, your faculty of humor. They should put your claimed brand on your home.”


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Batt will assurance copies of “Big, Easy Style: Creating Accommodation You Adulation to Live In” on Oct. 8, from 1 to 5 p.m. at Hazelnut, 5515 Magazine St., and on Oct. 20, from 5:30 to 7 p.m. at Garden District Books, 2727 Prytania St.

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